Under the helm of artistic director Christopher House, Toronto Dance Theatre (TDT) has had – and continues to have – a profound influence on the development of dance in Canada. The trend continues with Everyday Anthems, the latest work in TDT’s impressive repertoire.
“Sometimes it pays to do something totally outrageous,” said Jermaine in the first season of Flight of the Concords. Bennett Miller seemed to have a pretty comprehensive understanding of this mantra when he decided to create an installation featuring dozens of live dachshunds, and World Stage took it one step further by staging the installation inside of a theatre.
Thirty-six overly cute dachshunds took to the stage last night at Harbourfront Centre’s Enwave Theatre for the North American premiere of Dachshund UN. It proved to be an event with both bark… and bite!
After garnering multiple dance awards and attending a plethora of professional dance schools, Wen Wei Wang, a Chinese childhood dance prodigy, decided to create an everlasting legacy in the form of his own dance company, Wen Wei Dance.
The 509 Harbourfront TTC bus stop on Queens Quay at York Street (westbound) will remain in the centre travel lane, just east of the traffic signal at York Street. This bus stop is expected to be moved back to the north curb lane in the first week of March. The demolition of the remaining portion of TTC streetcar track from the portal ramp to 55 Harbour Square has been completed and backfilled. The repaving of this section with asphalt will occur this week.
Last night was Grupo Corpo‘s second performance of Sem Mim & Ímã in the Fleck Dance Theatre as part of World Stage 2013. Following the performance was our first talkshow of the season, hosted by Francisco Alvarez.
Sigh. Something feels so good about being back at World Stage. It took me a while to put my finger on exactly what it is that feels so good about it. The season does look great – I know one gender/performance theory nut that nearly jumped out of her pants when she discovered World Stage would be producing a ‘Lady Lear’ (you can’t see this but I’m pointing at myself).
Author Brian Francis, alongside Doubleday Canada senior editor, Nita Pronovost, will present Editing 101 on Saturday, February 23. It’s an intensive one-day workshop that focuses on the fundamentals of self editing your fiction writing, including tips on dialogue and structure, improving a reader’s response to your work and how to take your manuscript to the next level.
Series 8:08’s Alternative Technique Class (ATC) programme was founded in 1998 by past co-artistic director Jessica Runge. The programme offers innovative professional development workshops to dance artists, taught by established dancers. The workshops provide opportunities to explore alternative techniques and practices, as well as the creative visions and processes of diverse dance artists.