Reject emphasizes the absurdity of the life cycle of an Xmas tree, generally manufactured, purchased, briefly used as decoration, and discarded. The work provides another consumer use of the tree which, for a small fee, can be extracted from the holiday product. By inserting a second monetary exchange for the purpose of brief entertainment, the tree's cycle is prolonged and space for contemplation is created. While the trembling tree often provokes laughter, the initial reaction gives way to empathy and sadness for the unfortunate life-form that shakes itself bare for its spectators.
Montreal-based artist Peter Flemming sees his work as the electro-mechanical equivalent of short stories, ranging from small devices to large-scale installations. Instead of paragraphs, sentences, words, and letters he uses cut-and-paste combinations of nuts, bolts, batteries, metal, DIY machine processes, code and homebrew electronics to consider themes of utility, efficiency, entropy, leisure, nature and technology. His work has been featured across North America and Europe.
Flemming is a graduate of the Ontario College of Art New Media Department and received his MFA in Media Arts from the Nova Scotia College of Art and Design. Recent and upcoming exhibitions include Lazymode at Oboro in Montreal, Schematic: New Media Art from Canada at Space:Media in London UK and Hybrider at the Trondheim Centre for Contemporary Art in Trondheim, Norway.
