- Who We Are
- Public Programmes
- Find out more about our programmes, services, and community engagement.
- What's ON
- The Waterfront
- Come Learn
- Get Involved
Pierre Elliott Trudeau has been analyzed, criticized, and celebrated as a statesman, a believer in federalism, and a champion of bilingualism and multiculturalism. But he was also iconic — the closest figure to a pop star/cult object that Canada has thus far generated. Even those who distrust his politics and hate his vision, agree, with poet Irving Layton, that Trudeau was the first Canadian politician worth assassinating.
But all of the bios and editorials and scholarly essays and movies miss—always miss—one essential aspect of the man: his internationalism, his cosmopolitanism, his refusal to restrict his ideas and energies to either Canada or Québec.
"In Trudeau: Long March/Shining Path, I want to stage the multicultural Trudeau, the man who declared himself a citoyen du monde, who broke bread with Mao Zedong, who shouted "Viva, Castro!", who hung out with Norman Manley, and who lived out the multicultural dream he loved in Montreal.
This Trudeau is the one who appealed to—appeals to—the 'third force' in Canadian life, the ethnocultural and/or 'visible' Canadians, and this Trudeau is the one I want to hear singing jazz tunes inflected with Chinese, Latin, Québecois, Jamaican, African, and South Asian flourishes...
I want us to see an Andy Warhol-coloured Trudeau — vivid, vibrant, vivacious."
— George Elliott Clarke
George Elliott Clarke, Project Lead : librettist
D. D. Jackson: Composer
Graham Cozzubbo: Director
Commissioned in 2006
Presented as part of World Stage 07
April 14, 2007
| Education | eNewsletter | Donate | Marine | Venue Rentals | Visitor Info | Volunteer |
|
Come learn in a dynamic, enlightening and inclusive place that bridges the gap between learning and contemporary culture. |